LEADER 00000cam  2200697 i 4500 
001    1176318268 
003    OCoLC 
005    20210115100432.9 
006    m    d   | |       
007    cr ||||||||||| 
008    200714t20212021nyuab   ob    001 0 eng   
010    2020031826 
020    0367810123|qelectronic book 
020    9780367810122|q(electronic book) 
020    9781000290462|q(electronic book : EPUB) 
020    1000290468|q(electronic book : EPUB) 
020    9781000290431|q(electronic book : Mobipocket) 
020    1000290433|q(electronic book : Mobipocket) 
020    9781000290400|q(electronic book : PDF) 
020    1000290409|q(electronic book : PDF) 
020    |z9780367409593|qhardcover 
035    1176318268 
037    9780367810122|bTaylor & Francis 
040    DLC|beng|erda|cDLC|dOCLCO|dOCLCF|dOCLCO|dYDX|dN$T|dOCLCO
       |dTYFRS|dOCL 
042    pcc 
043    n-us--- 
049    txum 
050 04 ND1451.5|b.B37 2021eb 
072  7 ART|x015000|2bisacsh 
072  7 ART|x015020|2bisacsh 
072  7 AC|2bicssc 
100 1  Baradel, Lacey,|d1982-|eauthor. 
245 10 Mobility and identity in U.S. genre painting :|bpainting 
       at the threshold /|cLacey Baradel. 
264  1 New York :|bRoutledge,|c2021. 
264  4 |c©2021. 
300    1 online resource (xiii, 163 pages) :|billustrations (some
       color), maps (some color). 
336    text|btxt|2rdacontent 
337    computer|bn|2rdamedia 
338    online resource|bnc|2rdacarrier 
490 1  Routledge research in art history. 
504    Includes bibliographical references and index. 
505 0  Mobility and containment in Eastman Johnson's genre 
       paintings -- Mapping Enoch Wood Perry's genre scenes -- 
       Crossing thresholds in Thomas Hovenden's Breaking home 
       ties -- Dislocation and connection in John Sloan's scenes 
       of urban transport. 
506    Available only to authorized UTEP users. 
520    "This book examines the portrayal of themes of boundary 
       crossing, itinerancy, relocation, and displacement in 
       United States genre paintings during the second half of 
       the long nineteenth century (c. 1860-1910). Through four 
       diachronic case studies, the book reveals how the high-
       stakes politics of mobility and identity during this 
       period informed the production and reception of works of 
       art by Eastman Johnson (1824-1906), Enoch Wood Perry, Jr. 
       (1831-1915), Thomas Hovenden (1840-1895), and John Sloan 
       (1871-1951). It also complicates art history's canonical 
       understandings of genre painting as a category that seeks 
       to reinforce social hierarchies and emphasize more rooted 
       connections to place by instead privileging portrayals of 
       social flux and geographic instability. The book will be 
       of interest to scholars working in art history, literature,
       American studies, and cultural geography"--|cProvided by 
       publisher. 
545 0  Lacey Baradel is a historian of the art of the United 
       States. She has taught at the University of Washington, 
       Seattle, and at Vassar College. 
588    Description based on online resource; title from digital 
       title page (viewed on December 03, 2020). 
648  7 1800-1999|2fast 
650  0 Genre painting, American|y19th century. 
650  0 Genre painting, American|y20th century. 
650  0 Migration, Internal, in art. 
650  0 Art and society|zUnited States|xHistory|y19th century. 
650  0 Art and society|zUnited States|xHistory|y20th century. 
651  7 United States.|2fast|0(OCoLC)fst01204155 
655  7 History.|2fast|0(OCoLC)fst01411628 
776 08 |iPrint version:|aBaradel, Lacey, 1982-|tMobility and 
       identity in U.S. genre painting|dNew York : Routledge, 
       2021.|z9780367409593|w(DLC)  2020031825. 
830  0 Routledge research in art history. 
856 40 |uhttp://0-www.taylorfrancis.com.lib.utep.edu/books/
       9780367810122|zTo access this resource 
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