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Title Modernism and modernity in British women's magazines / Alice Wood.
Imprint New York, NY : Routledge, 2020.


 Internet  Electronic Book    AVAILABLE
Description 1 online resource (x, 208 pages) : illustrations.
Series Routledge studies in twentieth-century literature ; 74
Routledge studies in twentieth-century literature ; 74.
Bibliog. Includes bibliographical references and index.
Note Available only to authorized UTEP users.
Bio/Hist Note Alice Wood is Senior Lecturer in English Literature at De Montfort University, UK.
Note Description based on online resource; title from digital title page (viewed on June 04, 2020).
Subject Women's periodicals, English -- History -- 20th century.
Modernism (Literature) -- Great Britain -- History -- 20th century.
Modernism (Aesthetics) -- Great Britain -- History -- 20th century.
English literature -- 20th century -- History and criticism.
Journalism and literature -- Great Britain -- History -- 20th century.
Great Britain
Genre Criticism, interpretation, etc.
Summary This book explores responses to the strangeness and pleasures of modernism and modernity in four commercial British women's magazines of the interwar period. Through extensive study of interwar Vogue (UK), Eve, Good Housekeeping (UK), and Harper's Bazaar (UK), Wood uncovers how modernism was received and disseminated by these fashion and domestic periodicals and recovers experimental journalism and fiction within them by an array of canonical and marginalized writers, including Storm Jameson, Rose Macaulay, Gertrude Stein, and Virginia Woolf. The book's analysis is attentive to text and image and to interactions between editorial, feature, and advertising material. Its detailed survey of these largely neglected magazines reveals how they situated radical aesthetics in relation to modernity's broader new challenges, diversions, and opportunities for women, and how they approached high modernist art and literature through discourses of fashion and celebrity. Modernism and Modernity in British Women's Magazines extends recent research into modernism's circulation through diverse markets and publication outlets and adds to the substantial body of scholarship concerned with the relationship between modernism and popular culture. It demonstrates that commercial women's magazines subversively disrupted and sustained contemporary hierarchies of high and low culture as well as actively participating in the construction of modernism's public profile.
Other Title Print version: 9781351967402