LEADER 00000cam  2200673Ii 4500 
001    908336333 
003    OCoLC 
005    20200921045835.8 
006    m     o  d         
007    cr cnu---unuuu 
008    150504s2015    vtu     ob    001 0 eng d 
020    9781472441041 
020    1472441044 
035    (OCoLC)908336333|z(OCoLC)908670918 
035    Taylor & Francis All eBooks 
035    skip4alma 
040    N$T|beng|erda|epn|cN$T|dN$T|dOCLCO|dYDXCP|dEBLCP|dOCLCO
       |dOCLCQ|dOCL|dMOR|dOCLCQ|dOTZ|dOCLCQ|dYDX|dOCLCA|dUKMGB
       |dOCLCQ|dYOU|dUKAHL|dEQF|dOCLCQ 
049    txum 
050  4 ML3858eb 
072  7 MUS|x042000|2bisacsh 
072  7 MUS|x052000|2bisacsh 
072  7 MUS|x037110|2bisacsh 
082 04 782.109/05|223eb 
100 1  Novak, Jelena,|d1974- 
245 10 Postopera :|breinventing the voice-body /|cby Jelena 
       Novak. 
264  1 Burlington, VT :|bAshgate,|c[2015] 
300    1 online resource. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
490 1  Ashgate interdisciplinary studies in opera 
504    Includes bibliographical references and index. 
505 0  Cover; Contents; List of Figures; List of Tables; Series 
       Editor's Preface; Foreword; Acknowledgments; Part I 
       Focusing on Body Singing; 1 Postopera and Vocalic Body; 2 
       Body-Voice Gap, Postopera, and Body/Voice Theory; Part II 
       Voices beyond Corporeality: Performing Singing as 
       Upgrading; 3 Singing Beyond the Body: Uniqueness, Intruder,
       and Prosthesis; 4 Monstrous Singing: The Politics of Vocal
       Existence; Part III Throwing the Voice, Catching the Body:
       Opera, Ventriloquism, and De-Synchronization; 5 
       Operatizing the Film: Body Without Voice and Voice Without
       Body. 
505 8  6 Singing Letters, Multiplied Bodies, and Dissociated 
       VoicePart IV Singing Gender as a Performance; 7 Voice and 
       Gender Standing Apart; 8 Vocal Drag, Counter-Castrato, and
       the Scandal of the Singing Body; Reinventing the Vocalic 
       Body in Postopera: Conclusion; Bibliography; Audio and 
       Video Recordings; Scores; Index. 
506    Available only to authorized UTEP users. 
520    Both in opera studies and in most operatic works, the 
       singing body is taken for granted. Jelena Novak 
       reintroduces an awareness of the physicality of the 
       singing body to opera studies. Arguing that the body-voice
       relationship itself is a producer of meaning, she 
       furthermore posits this relationship as one of the major 
       driving forces in recent opera. She takes as her focus six
       contemporary operas - La Belle et la BĂȘte, Writing to 
       Vermeer, Three Tales, One, Homeland and La Commedia and 
       dissects the singing body as a set of rules, protocols, 
       effects, strategies. 
588 0  Print version record. 
648  7 1900-2099|2fast 
650  0 Operas|y21st century|xPhilosophy and aesthetics. 
650  0 Operas|y20th century|xPhilosophy and aesthetics. 
650  0 Opera|y21st century. 
650  0 Opera|y20th century. 
655  0 Electronic books. 
776 08 |iPrint version:|aNovak, Jelena, 1974-|tPostopera
       |z9781472441034|w(DLC)  2014042884|w(OCoLC)894557583 
830  0 Ashgate interdisciplinary studies in opera. 
856 40 |uhttp://0-www.taylorfrancis.com.lib.utep.edu/books/
       9781315601717|zTo access this resource 
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