LEADER 00000cam  2200481 i 4500 
001    1084330307 
003    OCoLC 
005    20200211120121.0 
008    190619t20202020nyuc     b    001 0 eng   
010    2019026009 
020    9780393608427 
020    0393608425 
024 8  40029658077 
035    (OCoLC)1084330307|z(OCoLC)1128274605 
040    DLC|beng|erda|cDLC|dOCLCO|dOCLCF|dTOH|dSLV|dUAP|dYDX|dNYP
       |dEAU|dMNN|dYUS|dOCLCA|dVP@|dTXU 
042    pcc 
043    n-us--- 
049    TXUM 
050 00 ML3917.U6|bR67 2020 
100 1  Rosenberg, Jonathan,|d1958-|eauthor. 
245 10 Dangerous melodies :|bclassical music in America from the 
       Great War through the Cold War /|cJonathan Rosenberg. 
250    First edition. 
264  1 New York, NY :|bW. W. Norton & Company, Inc.,|c[2020] 
264  4 |c©2020 
300    xxv, 485 pages :|bportraits ;|c25 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references (pages [387]-461) and 
       index. 
505 0  Terrorized by the Kaiser. "We must hate the Germans" : 
       tormented by Wagner and Straus -- "It would be a gross 
       mistake to play patriotic airs" : locking up the maestros 
       -- "There is no visible relationship between a Wagner 
       opera and a submarine" : from Manhattan riots to Wagner's 
       piano -- Hitler's speech. "I want to teach a lesson to 
       those ill-bred Nazis" : Toscanini, Furtwangler, and Hitler
       -- "Let us conquer darkness with the burning light of art"
       : Shostakovich and Toscanini confront the dictators -- "I 
       come here as a musician" : Furtwangler, Gieseking, 
       Flagstad, Karajan-and Hitler's ghost -- Confronting 
       communism. "The obedient instrument of the state" : 
       Shostakovich and Copland in the age of McCarthy -- 
       "Khrushchev wouldn't know a b-flat if he heard one" : 
       symphony orchestras fight the Cold War -- "The baton is 
       mightier than the sword" : Berliners, Ohioans, and Chinese
       communists. 
520    "A Juilliard-trained musician and professor of history 
       explores the fascinating entanglement of classical music 
       with American foreign relations. Dangerous Melodies 
       vividly evokes a time when classical music stood at the 
       center of American life, occupying a prominent place in 
       the nation's culture and politics. The work of renowned 
       conductors, instrumentalists, and singers-and the 
       activities of orchestras and opera companies-were 
       intertwined with momentous international events: two world
       wars, the rise of fascism, and the Cold War. Jonathan 
       Rosenberg recovers the politics behind classical music, 
       showing how German musicians were dismissed or imprisoned 
       as the country's music was swept from American auditoriums
       during World War I-yet, twenty years later, those same 
       compositions could inspire Americans in the fight against 
       Nazism while Russian music was deployed to strengthen the 
       U.S.-Soviet alliance. During the Cold War, Van Cliburn's 
       triumph in the Tchaikovsky Competition in Moscow became 
       cause for America to celebrate. In Dangerous Melodies, 
       Rosenberg delves into the singular decades-long 
       relationship of classical music and political ideology in 
       America"--|cProvided by publisher. 
648  7 1900-1999|2fast 
650  0 Music|xPolitical aspects|zUnited States|xHistory|y20th 
       century. 
650  7 Music|xPolitical aspects.|2fast|0(OCoLC)fst01030414 
651  0 United States|xForeign relations|xHistory|y20th century. 
651  7 United States.|2fast|0(OCoLC)fst01204155 
655  7 History.|2fast|0(OCoLC)fst01411628 
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